Gerard ter Borch Repeats

On Autograph Portrait Copies in the Work of Ter Borch (1617-1681)

Author(s)

  • Gebrand Korevaar
  • Gwen Tauber

DOI:

https://doi.org/10.52476/trb.9852

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Author Biographies

  • Gebrand Korevaar

    Gerbrand Korevaar is curator of Slot Zuylen in Oud-Zuilen. Prior to that, he worked for various museums and cultural institutions as a curatorial researcher, writer and editor, and among other things has published on early Rembrandt, Jacob Adriaensz Backer and the Dutch guild system. He is co-author of the catalogue of Dutch Paintings of the Seventeenth Century in the Rijksmuseum, Amsterdam, Volume ii – Artists Born between c. 1600 and 1620 (forthcoming).

  • Gwen Tauber

    Gwen Tauber has worked as a painting conservator in the Rijksmuseum since 1990. Trained at Winterthur Museum/University of Delaware Art Conservation Program (1984 MScience), she began her academic career in Art History at the University of Massachusetts (1977 ba, 1981 ma). She has worked at the Los Angeles County Museum of Art (1983-5), the Metropolitan Museum of Art (1985-7), Marco Grassi Conservation Studio (1987-9) and the De Young Memorial Museum in San Francisco (1989-90). She has published on Geertgen tot Sint Jans, Fabritius and Frans Hals. Her main interest lies in close looking and the aesthetic effects of restoration treatments on the authenticity of paintings.

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Published

2014-12-15

Issue

Section

Articles

How to Cite

Korevaar, Gebrand, and Gwen Tauber. 2014. “Gerard Ter Borch Repeats: On Autograph Portrait Copies in the Work of Ter Borch (1617-1681)”. The Rijksmuseum Bulletin 62 (4): 348-81. https://doi.org/10.52476/trb.9852.