A Family Portrait in Silver Grey: The Intriguing Painting Technique of Pierre-Paul Prud’hon Revealed by the Restoration of the Portrait of Rutger Jan Schimmelpenninck with his Wife and Children (1801-02)

Eva van Zuien

doi:10.52476/trb.9877

A Family Portrait in Silver Grey

The Intriguing Painting Technique of Pierre-Paul Prud’hon Revealed by the Restoration of the Portrait of Rutger Jan Schimmelpenninck with his Wife and Children (1801-02)

Author(s)

Eva van Zuien

DOI:

https://doi.org/10.52476/trb.9877

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Author Biography

Eva van Zuien

Eva van Zuien studied art history at the University of Nijmegen and trained as a paintings conservator at the Stichting Restauratie Atelier Limburg (SRAL) in Maastricht. Since 2009 she has been working as a freelance paintings conservator at Atelier Boersma in Rotterdam, Museum Boijmans Van Beuningen, the department for Cultural Heritage of the Ministry of Education, Culture and Science of the Netherlands, and the Royal Museum for Fine Arts Antwerp.

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Published

2012-09-15

Issue

Vol. 60 No. 3 (2012)

Section

Articles

License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

van Zuien, Eva. 2012. “A Family Portrait in Silver Grey: The Intriguing Painting Technique of Pierre-Paul Prud’hon Revealed by the Restoration of the Portrait of Rutger Jan Schimmelpenninck With His Wife and Children (1801-02)”. The Rijksmuseum Bulletin 60 (3): 194-211. https://doi.org/10.52476/trb.9877.